Passage: A serious critic has to comprehend the particular content, unique structure, and special meaning of a work of art. And here she faces a dilemma. The critic must recognize the artistic element of uniqueness that requires subjective reaction; yet she must not be unduly prejudiced by such reactions. Her likes and dislikes are less important than what the work itself communicates, and her preferences may blind her to certain qualities of the work and thereby prevent an adequate understanding of it. Hence, it is necessary that a critic develop a sensibility informed by familiarity with the history of art and aesthetic theory. On the other hand, it is insufficient to treat the artwork solely historically, in relation to a fixed set of ideas or values.
According to the author, a serious art critic may avoid being prejudiced by her subjective reactions if she? Brings to her observation a knowledge of art history and aesthetic theory
The author implies that it is insufficient to treat a work of art solely historically because? Doing so can blind the critic to some of the artwork's unique qualities
Periblem is the primary meristematic tissue that develops into the cortex of roots and stems.
Dermatogen develops into the epidermis, the outer protective layer of the plant.
The traditional histogen theory identifies three primary meristems: dermatogen (epidermis), periblem (cortex), and plerome (stele or central vascular cylinder).